I like this title…you can make what you’d like out of it. One thing for sure: our concerts are fun, free and short!
Things I learn
Singing classes which double as performing groups–what’s not to love? Two groups start this week, plus private lessons in Central Square and Jamaica Plain.
The Platinum Singers at USES meet after an excellent exercise class on Wednesdays…see below for complete list of classes (and can you spot us in the little photo?)
I was happy to find this quote, because I’ve been thinking about it. Come on Tuesday evening to the Boston Common and do a Circle Sing with us–it’s Make Music Day–Fete de la Musique since it started in France…
If you don’t know what a Circle Sing is, just come and try–nothing required, just listen and let us play together while making beautiful, new sounds. We learned it from Bobby McFerrin, and we take turns leading. How about that? Parkman Bandstand, Boston Common, 6-7:30pm on Tuesday June 21, 2016. All free. Come any old time, drop by after work…
A new semester begins! Study Handel at NEC’s School of Continuing Education on Wednesday evenings Handel for Singers and Instrumentalists begins January 20.
Platinum Singers begin the same day, at the Harriet Tubman House. A singing class for anyone who qualifies for the AARP, and a fun group to boot. Virtually free, and you can attend a dynamite exercise class just beforehand. USES Senior services
If you want to join the JP Jubilee singing group, the wait is until February 19, 2016. Contact me for further info about this group that meets on Friday mornings, and, like the Platinum Singers, is a class and a performing group. We meet at Curtis Hall in Jamaica Plain.
BUT wait, there’s more! Private lessons with me, of course, in JP and Cambridge, AND our monthly Circle Singing group meets Sunday January 10 at St. Mary’s Church in Central Square, Cambridge. Please contact Peter McLoughlin if you’d like more info. Runs 4:30-6:30pm, fun group improvisational singing à la Bobby McFerrin.
Come hear the Platinum Singers sing a few beautiful tunes, including Wachet Auf (with guest violinist Matt Hoener and his brother Drew on keyboard) at the USES Holiday Fair. Wednesday December 9, we sing at 2:30 and you can buy trinkets before that. Harriet Tubman House, 566 Columbus at Mass Ave, Boston’s South End. Always free.
Getting back to regular exercise after colliding with an upright piano (don’t ask, and please do not try this at home*), I find myself torn between pushing and holding back. Yeah, that old conundrum. No pain, no gain and all that. Well, at a certain point we all have to listen to our bodies and heed what they say or they yell louder (“That HURTS, you IDIOT–can you hear me now?”).
I’ve always been a get-back-on the-horse as quickly as possible kind of person, so I’ve been walking and stretching. Today I tried an exercise class. I couldn’t do everything, but at least I went. I listened to my body intently as I moved, and feel pretty good now. It took a few years (okay, decades) to get the hang of how to garden for a short time and then stand up and walk around or do something different with my body. So now i have another reminder.
And so it is with singing. We push for the high notes, lift our shoulders, tighten our necks and jaws. We have all sung without warming up, pushed through vocal fatigue and colds and done a thousand other little things. My favorite is how we lean towards the audience as we sing to show we really care…
I was singing a recital with my wise colleague Francie Fitch after a bout with bronchitis. I was frustrated that I couldn’t get from 0-60mph as soon as I resumed singing. She reminded me that in the 19th century novels, heroines often had a “long convalescence.” How lovely, to give oneself such a gentle recuperative period. We don’t. I know. It’s even faster paced now than when I was a pup. I was anxious to be a good employee at every gig I landed, always showing up and singing full voice, never being a troublesome colleague. When I had vocal problems, I ignored them and the results were not pretty.
We are told not to listen to ourselves when we sing. I know how hard that is. But we can listen to our bodies–in a loving and respectful way. They tell us to take a sip of water, to rest the voice for a while, to take a nap or have a meal. There is an art to living in a body, and an art to having your instrument in your body. It takes patience. And practice.
*okay,I was trying to prevent a small upright from tipping over. I was moving said piano–as I have every week at the Harriet Tubman House for 6 years, mind you–to use it to teach my lovely class and the wheels froze (kind of like shopping carts, it felt like) and my helper gave that extra push…since I was holding the handle and I desperately wanted to right the piano, I held on too long. It had lost its balance on occasion before, but had never fallen on its back. The piano lived and only one note sticks–the low Eb that is the tonic for our Bach aria, by the way. I have bruises all the way from elbow to tip of fingers. The full mechanisms are slow to get back and to strengthen again. But it could have been much worse.
What a fun opportunity to bring friends, neighbors, kids–all are welcome, all ages and levels, just come and have fun making music together while folks all over the Boston do the same.
Come learn to sing and play JS Bach, improve your chamber music skills, enjoy the gorgeous arias of the cantatas and oratorios.
Class meets on Wednesday evenings 7:30-9pm. It begins January 14 and goes for 15 weeks. Even if you have to miss a few sessions, it’s a treat to get to sing and play these arias and do a performance at the end. Open to singers, strings, winds, keyboard players.
Here’s the skinny: http://necmusic.edu/ce/voice-opera. It costs less than $45/class for 15 weeks, a non-credit class through the School of Continuing Education.
Did you know? In German, the name Bach spells out four musical notes (B —B flat, A—A natural, C—C natural, H—B natural).